Kayla DiVenere’s ‘Final Girl’ takes the slasher playbook and rewrites it with a knowing smile and a sharpened blade. What begins in a fog-drenched forest, where light fractures through the trees in uneasy slivers, quickly establishes a world that feels less like a setting and more like a state of mind: tense, elusive, and always in motion.⁠ ⁠ Directed by Maddy Murden, with cinematography by Kalama Epstein, the video moves with a quiet confidence through shadowed woodland path

Kojey Radical’s “Don’t Look Down” is a narrative-driven video about pressure, identity, and the cost of success. Directed by Relta with production by The Corner Shop, the video avoids real-world locations, instead unfolding within controlled interior sets that feel deliberately contained. The spaces are minimal and studio-built, shifting gradually rather than fully changing. As Kojey moves through them, the transitions feel less like scene changes and more like a continuous j

Jazz Emu ‘Here It Comes’ unfolds as a brilliantly surreal comedy music video, built around the escalating absurdity of Jazz Emu’s performance. The video moves through a series of oddball setups and deadpan cutaways, each visual gag arriving just as the song pushes further into its dramatic, over the top energy.⁠ ⁠ Directed by Archie Henderson, the video embraces the project’s signature blend of musical sincerity and surreal humour. Unexpected details, including a cutaway to a