TORA’s “Be the Way You Are”, directed by Connor Duke, follows a man paralysed by a fear of the water and haunted by visions of drowning in a violent storm. A girl in the pool approaches him and reassures him that the fear is all in his head. Gradually, he begins to believe her. With newfound confidence, and under pressure to let go, he turns his back towards the water, closes his eyes and falls in. Beneath the surface, there is a brief moment of peace and weightlessness befor

KOIKOI’s “Ti Imaš Mir”, directed by Ivan Stojiljković, is a striking music video built around control, tension, and emotional release. Using a continuous take, the video keeps the camera, performers, and staging in constant coordination, allowing the movement to build naturally with the restless energy of the track. The use of mirrors is central to the video’s impact, repeatedly revealing and reframing the lead singer while adding a sense of reflection and inner conflict. Rat

Tikasha Sakama’s “#010126 Coda” transforms the internal struggle of self sabotage into a dark and unsettling visual journey, exploring how the barriers that hold us back are often the ones we create ourselves. Following Nansija through forests, swamps, and fragmented memories, the video blurs the line between victim and aggressor, gradually revealing that the force pursuing her has been within her all along. Directed by Tīna Zariņa, the video uses haunting imagery and symboli