Kayla DiVenere’s ‘Final Girl’ takes the slasher playbook and rewrites it with a knowing smile and a sharpened blade. What begins in a fog-drenched forest, where light fractures through the trees in uneasy slivers, quickly establishes a world that feels less like a setting and more like a state of mind: tense, elusive, and always in motion.⁠ ⁠ Directed by Maddy Murden, with cinematography by Kalama Epstein, the video moves with a quiet confidence through shadowed woodland path